THE BLAKE ART PRIZE
The 68th Blake Art Prize
The Blake Prize is a biennial exhibition that highlights local and international contemporary artists who explore ideas of spirituality and religion through contemporary artworks. The 68th Blake Prize exhibition will be on display at Casula Powerhouse Arts Centre from 11 May to 7 July 2024.
The Blake Prize has been challenging artists to explore spirituality and religion through their art since 1951, and Casula Powerhouse has been home to the prize since 2016. Casula Powerhouse is ideally positioned in Liverpool, a community of people from over 150 different birthplaces, speaking over 140 languages with an equally diverse range of faith backgrounds.
The 68th Blake Prize finalists were selected by a panel of judges renowned for their contribution to the discourse of contemporary art and spirituality in Australia. The judges include artist Dean Cross, Director of UNSW Galleries and Curator of the 2024 Adelaide Biennial José Da Silva, and Professor in Religion within the School of Humanities at the University of Sydney Professor Jay Johnston FAHA.
The judges choose the best contemporary artworks that address ideas related to religion, spirituality and/or belief. There are three prizes to be won!
1. The Blake Prize is a non-acquisitive prize of $35,000
2. The Blake Emerging Artist Prize is an acquisitive prize of $6,000
3. The Blake Established Artist Residency - consisting of a residency and solo exhibition hosted by CPAC.
All prizes are strictly non-sectarian. Entries are not restricted to any specific faith or artistic style.
If you are looking for The Blake Poetry Prize details click here: The Blake Poetry Prize - Casula Powerhouse Arts Centre
FINALISTS
Congratulations to the 68th Blake Prize finalists!
Abdullah M.I. Syed | Ashfield, NSW |
Agus Wijaya | Penshurst, NSW |
Alyssa Aleksanian | Hazelbrook, NSW |
Amber Subaki | Enmore, NSW |
Anna Tregloan & Adriano Cortese | Ultimo, NSW |
Audrey Newton | St Marys, NSW |
Aylsa McHugh | Wurundjeri Country, Preston, VIC |
Brian Robinson | Subiaco, WA |
Celine Cheung | Epping, NSW |
Christine Dean | Elizabeth Bay, NSW |
Christopher Zanko | Austinmer, NSW |
Darron Davies | Campbells Creek, VIC |
Deanne Gilson | Brown Hill, VIC |
Drew Connor Holland | Darlinghurst, NSW |
Dr Lisa Anderson | St Kilda, VIC |
Elyas Alavi | Pascoe Vale, VIC |
Emily Portmann | Annandale, NSW |
Greg Semu | Bondi, NSW |
Jen Alexandra | Christchurch, NZ |
Jenna Lee | Richmond, VIC |
Jennifer Ingkatji | Thebarton, SA |
Johanna van der Linden | Mount Evelyn, VIC |
John Gillies | Leichhardt, NSW |
Johnathon World Peace Bush | Melville Island, NT |
Jordan Azcune | Petrie Terrace, QLD |
Joshua Pether | Mount Lawley, WA |
Katie Stackhouse | North Warrandyte, VIC |
Kean Onn See | Newtown, NSW |
Khaled Sabsabi | Green Valley, NSW |
Khashayar Salmanzadeh | Burwood, VIC |
Lachlan Warner | Burwood, NSW |
Lauri Smith | Stanmore, NSW |
Lee Harrop | Nightcliff, NT |
Linda Sok | NSW |
Liz Payne | Erskineville, NSW |
Louise Meuwissen | Reservoir, VIC |
Maissa Alameddine | Naremburn, NSW |
Maria Pia Mosquera | Alexandria, NSW |
Marion Abraham | Molesworth, TAS |
Mary MacGregor-Reid | Auckland, NZ |
Eureka O'Hanlon | Flemington, VIC |
Monica Rani Rudhar | Dulwich Hill, NSW |
Morgan Hogg | NSW |
Nicole Zhang | Epping, NSW |
Nina Sanadze | St Kilda East, VIC |
Peter Maloney | Alexandria, NSW |
Philjames | Paddington, NSW |
Rat Bedlington | NSW |
Shireen Taweel | Darlinghurst, NSW |
Tianli Zu | St Ives, NSW |
Tina Stefanou | Wattle Glen, VIC |
Tracey Clement | Annandale, NSW |
Truc Truong | Rostrevor, SA |
Vilma Bader | Maroubra, NSW |
Yhonnie Scarce | Fitzroy, VIC |
Yuhana Nashmi | Ruse, NSW |
Yvette Hamilton | Wentworth Falls, NSW |
KEY DATES
Exhibition dates: 11 May – 7 July 2024
PAST BLAKE PRIZES
Winner – S.J Norman, Cicatrix (All that was taken, all that remains), 2021. Giclee prints, performance documentation. | Winner – Leyla Stevens, Kidung/Lament, 2019, video. | Winner – Tina Havelock Stevens, Giant Rock, 2017, video | Winner – Yardena Kurulkar, Kenosis, 2015, photo print |
ABOUT THE BLAKE ART PRIZE
Since 1951, The Blake Prize has engaged artists, nationally and internationally, with ideas of spirituality and religion. The prize takes its name from William Blake, the world-famous 18th Century artist, and poet who threaded the religious and artistic throughout his practice. Building on this history, The 87th Blake Prize continues to encourage contemporary artists of varied styles and religious and spiritual allegiances to create significant works of art, which engage in conversations and negotiations concerning spirituality, religion and/or belief.
Casula Powerhouse Arts Centre has proudly presented The Blake Prize as a biennial event since 2016, ensuring the future of this landmark prize. Casula Powerhouse is ideally positioned in Liverpool, a community of people from over 150 different birthplaces, speaking over 140 languages with an equally diverse range of faith backgrounds. We are committed to supporting emerging and established artists to create work that reflect Australian communities.
CPAC will maintain the guiding principles of The Blake Prize, continuing to engage contemporary artists, both nationally and internationally, in conversations concerning faith, spirituality, religion, hope, humanity, social justice, belief and non – belief. The Blake Prize presents an aesthetic means of exploring the wider experience of spirituality and all this may entail through the visionary imagining of contemporary artists.
JUDGES BIOS
Dean Cross
Dean Cross is an artist primarily working across installation, sculpture and painting. Interested in the collisions of materials, ideas and histories, Cross is motivated by an understanding that his practice sits within a continuum of the oldest living culture on Earth – and enacts First Nations sovereignty through expanded contemporary art methodologies. His cross-disciplinary practice often confronts the legacies of modernism, rebalancing dominant cultural and social histories.
José Da Silva
José Da Silva is a curator and writer and is currently the Director of UNSW Galleries, where he has developed a dynamic program of contemporary Australian art and design since 2018. He is also the curator of the 2024 Adelaide Biennial of Contemporary Art. Between 2006 and 2018, he contributed to an ambitious program of exhibitions, commissions, acquisitions and projects at the Queensland Art Gallery | Gallery of Modern Art, including a role in the curatoriums for five editions of the Asia Pacific Triennial of Contemporary Art. Selected curatorial projects include Gordon Hookey: A MURRIALITY (2022-24, with Liz Nowell and touring nationally); Jacobus Capone: Orisons (2022); Sam Smith: Capture (2021); The Colour Line: W. E. B Du Bois and Archie Moore (2021); Friendship as a Way of Life (2020, with Kelly Doley); Wansolwara: One Salt Water (2020, with Mikala Tai), and Gemma Smith: Rhythm Sequence (2019).
Professor Jay Johnston FAHA
Jay Johnston FAHA is Professor in Religion within the School of Humanities at the University of Sydney. She is a cross-disciplinary specialist who also works in the fields of Heritage, Art History and Practice, Conservation and Environment, and Nordic Studies. Jay is a leader in conceptual and methodological innovation who has been influential in developing new subfields such as aesthetics of religion and subtle body studies. Her research examines visual and material culture with a particular focus on the interrelationship between ethics and aesthetics, concepts of materiality, embodiment and epistemology.